A non-partisan portrait collection

Fourteen women.
Fourteen firsts.

A visual archive of women who entered spaces where women had never been before.

The collection is non-partisan. What unites these women is not party, ideology or chronology, but the institutional threshold each one crossed — and the presence required to occupy that space under public scrutiny.

Trailblazing Women: 14 portraits from modern Australian politics

The exhibition

Not a political
timeline.
A human one.

These portraits span the political spectrum. What unites them is not what these women believed, but the institutional threshold each one crossed.

The collection strips away the transient visual language of political campaigns and focuses instead on presence — the resilience, stoicism and determination required to enter previously male-dominated spaces, occupy them and endure intense public scrutiny.

Hung together, the works form a spectrum of modern history. Each portrait is monochromatic, each uses a single professional pigment, and each responds differently to the same deliberately irregular physical foundation.

14Portraits
14Institutional milestones
1Shared thread: the first
1Pigment per portrait
4Tonal structure
Ways pigment can settle

The women · in hanging order

01 · The Verdant Earth Triad

Undersea, earth, forest.

Three greens that refuse to stay as one colour. They split, settle and hold — as these women held the chamber, the cabinet table, and the long work of remaining.

Portrait of Julia Gillard, painted in Bloodstone Genuine

Anchor

Julia Gillard

Bloodstone Genuine

First Female Prime Minister. Crushed heliotrope: a mineral of bedrock weight, pooling into near-black charcoal in the valleys of the tissue, blooming as weathered stone at the edges.

Look closer

02 · The Deep Oceanic Triad

Apatite, sodalite, steel-grey.

Dense mineral blues and a fused grey. Structural weight, granulating tides, and a pigment that refuses to split — like a military identity that will not be smoothed over.

03 · The Iron Oxide Triad

Heat, endurance, stone.

Oxides that burn, harden and grip. Iron that has been exposed to pressure — a material metaphor for careers defined by friction, stamina and immovable service.

Portrait of Quentin Bryce, painted in Shadow Violet

Anchor

Quentin Bryce

Shadow Violet

First Female Governor-General. A pigment with a split personality: smoky violet in the shadows of the hat and gaze; warm orange-brown bleeding into the raised paper like weathered light.

Look closer

The artist

Paquita Fadden

The vision

A Gold Coast watercolourist. This collection honours the battles her generation fought — and the women who broke the mould in the most male-dominated arena of public life.